Marc Myers writes daily on jazz legends and legendary jazz recordings New features on JazzCorner include the jazz video share where you can upload and share jazz and blues videos, JazzCorner Jukebox, surf the net is the largest portal for the official websites of hundreds of jazz musicians and organizations. Tom has been the host of the daily Jazz a la Mode radio program for over 30 years. Irreverent, irascible, engaged.”įocused Profiles on Jazz and its Makers while also Featuring the Work of Guest Writers and Critics on the Subject of Jazz.Ī Jazz and Blues podcast from New England Public Radio’s (WFCR) Tom Reney. “Two strikingly handsome middle-aged men get together every other week to discuss jazz in depth. Steve Bowie, host of Ellington Reflectionsīooks written and published by jazz fan Edward Allan FaineĪnnouncements and thoughts from a Bay Area Trumpeter and Composerįrom Jazz masters of past and present to emerging new artists performing modern jazz and fusion. Paul Gonsalves- tenor sax Johnny Hodges – alto sax Ray Nance – cornet Mitchell “Booty” Wood – trombone Jimmy Jones – piano Al Hall – bass Oliver Jackson – drums. It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562) You Should Have Told Me (LP: “For Sentimental Reasons” Open Sky Records OSR 3126)Īl Hibbler – vocal Buddy Tate – tenor sax Hank Jones – piano Milt Hinton – bass Oliver Jackson – drums. Rahsaan Roland Kirk – tenor sax, manzello, Al Hibbler – vocal Hank Jones – piano Ron Carter – bass Oliver Jackson – drums. Lover, Come Back To Me/Do Nothin’ Till You Hear From Me (LP: “A Meeting of the Times” Atlantic SD 1630 ) I Was Telling Her About You (45 rpm, Decca 0-29982) Heard – drums.Īl Hibbler – vocal Orchestra directed by Jack Pleis This Love of Mine (CD: Johnny Hodges “Seven Classic Albums” Real Gone Jazz RGJCD312)Įmmett Berry – trumpet Lawrence Brown – trombone Johnny Hodges – alto sax Ben Webster – tenor sax Leroy Lovett – piano Red Callender – bass J.
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker, Ray Nance – trumpet Lawrence Brown, Quentin Jackson, Tyree Glenn – trombone Jimmy Hamilton, Russell Procope, Johnny Hodges, Al Sears, Ben Webster, Harry Carney – reeds Duke Ellington – piano Fred Guy – guy Wendell Marshall – bass Sonny Greer – drums, Al Hibbler – vocal. Recorded 13 November 1948 at Carnegie Hall, New York City Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson, Ray Nance – trumpet Lawrence Brown, Joe Nanton, Claude Jones – trombone Jimmy Hamilton, Otto Hardwicke, Johnny Hodges, Al Sears, Harry Carney – reeds Duke Ellington – piano Fred Guy – guitar Junior Raglin – bass Sonny Greer – drums Al Hibbler, Kay Davis – vocalĭon’t Be So Mean To Baby/Lover Come Back to Me/Trees/It’s Monday Every Day/Unchained Melody (CD: “Carnegie Hall, November 13, 1948” Vintage Jazz Classics 1024) Get Me On Your Mind (LP: “Jay McShann -The Early Bird Charlie Parker (1941-1943)” MCA MCA-1338)īob Merrill, Bernard Anderson, Orville Minor – trumpet Lawrence Anderson, Joe Baird – trombone John Jackson, Charlie Parker – alto sax Bob Mabane, Freddy Culliver – tenor sax Jimmy Coe – baritone sax Jay McShann – piano Leonard Enois – guitar Gene Ramey – bass Gus Johnson – drums.ĭon’t You Know I Care (or Don’t You Care To Know)/I Ain’t Got Nothin’ But The Blues (CD: “World Broadcasting Series, Volume 4” Circle CCD-104) The recordings heard on this podcast episode: Sinatra calls Albert Hibbler and Ray Charles his two ace pilots.” Cries, laughs, and highly animated calls - he uses them all to make the listener see it as he see it. He will adopt a nasal tone at just the right word and note, or affect a sudden drop to what sounds like the below-compass bass. He can produce a whispering, confidential sound, or an outburst that borders on panic. His capabilities are so many, but I should mention first his clear, understandable enunciation. Hib’s great dramatic devices and the variety of his tonal changes give him almost unlimited range. He had so many sounds that even without words he could tell of fantasy beyond fantasy. He learned song after song, and soon he was our major asset - truly a profitable investment, both dollar-wise and for luxury of keeping my ear in deep. “It was much easier than I thought it would be for Hib to learn songs, but that was because he has ears that see, and so miracles happened.
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